Love And Misinformation

Love And Misinformation

Connected and heartfelt, revolutionary and irreverent, the Improvised Play is always of its time. Like the works of Caryl Churchill, we break and remake our format every night. Anything is possible, but we guarantee you’ll be surprised, provoked, and moved. We’ve chosen to emulate Caryl Churchill because we’re impressed by her honesty, her flexibility, her quiet genius and her revolutionary spirit. We hope her influence will shine through our work.

Improvisational theatre is live theatre in its truest form; alive, flexible, reactionary. Love and Misinformation is one of London’s most invigorating theatre productions. It’s a living, breathing tribute to Caryl Churchill, and to British theatre. It’s of its time in a way few other plays can be.

“With each play, she discovers new genres and forms. She then discards them and moves on, opening up possibilities for other playwrights to explore. I think many people writing today don’t even realise they’ve been influenced by her. She’s changed the language of theatre. And very few playwrights do that.”- Marius von Mayenburg

“I like to think of Caryl Churchill as the Emily Dickinson of the theatre world. Her dialogue sounds like the staccato rhythms of speech punctuated by dashes. Characters interrupt each other, speak over each other, and generally leave others (often characters and audience alike) to decipher what they’re actually talking about. Churchill’s reputation is understandably great, as her hand has given the theatre plays like Top Girls, Cloud Nine, A Number, and Far Away, just to name a few.” Bess Rowen, Huffington Post.

Produced by Presence Theatre Collective

Director: Stephen Davidson



Theatre Company Reviews:

“With each play, she discovers new genres and forms. She then discards them and moves on, opening up possibilities for other playwrights to explore. I think many people writing today don’t even realise they’ve been influenced by her. She’s changed the language of theatre. And very few playwrights do that.”- Marius von Mayenburg

 

 

“I like to think of Caryl Churchill as the Emily Dickinson of the theatre world. Her dialogue sounds like the staccato rhythms of speech punctuated by dashes. Characters interrupt each other, speak over each other, and generally leave others (often characters and audience alike) to decipher what they’re actually talking about. Churchill’s reputation is understandably great, as her hand has given the theatre plays like Top Girls, Cloud Nine, A Number, and Far Away, just to name a few.” Bess Rowen, Huffington Post.

Production Details


Run Time:

  • Act One: 60 mins

  • Act Two: 40 mins


Age Restrictions:

  • None


Tickets:


Performances:

  • Tue 21st May 2019 - 7:30 pm

  • Wed 22nd May 2019 - 7:30 pm

  • Thu 23rd May 2019 - 7:30 pm

  • Fri 24th May 2019 - 7:30 pm

  • Sat 25th May 2019 - 7:30 pm

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